Some may find the narrative too flat before the murder took place, but tension was built underneath the physical scenes by revealing the intrusive side of the man Jean-Paul. Still the murder is somehow based on meaninglessness and it’s hard for the audience to look inside and therefore there’s a gap of resonance against the abundance of absurdity.
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马伯庸原著加持质感一流王阳的台词密集表现得不错张若昀的演技在一群中年戏骨里还是稚嫩了最近的国剧很流行齿轮式角色比如《年轻的女孩在办公室推荐香水》的安欣和这里的帅家默都是生活中的非典型人群但都是剧情发展的核心 从头到尾连贯看表面上主线是丝绢税而实际上主线是以范老为首的乡绅多方势力勾结隐田和男主角为父亲洗清冤屈 官大一级压死人的推进剧情很像周星驰的《人妻JAPAN HD XXXX VIDEOS》